CCina.Design

یکم سایت سرعتش بهتر شده❤️ بانک الان هاست که حساب منو مسدود کنه😂😂برید از درگاه بزنید من به مسدودی حساب نرسم

بچه هایی که به پشتیبانی پیام میدید همون یکبار پیام بدید بسته❤️😂چون اولویت پاسخ دهی به پیام ها از پایین ترین پیام لیست (یعنی قدیمی ترین پیام) به بالا هستش و شما هم پنج دقیقه یکبار پیام میدید پیامتون میره بالای لیست و دیرتر دیده میشه❤️❤️❤️ در دقیقه حدود ۱۰۰ پیام جدید داره به پشتیبانی ارسال میشه که این اول از همه لطف بی دریغ شماست به من❤️ و دوم شلوغی حجم پشتیبانی😂

بچه‌ها شرایط اقساط و یا رزرو نداریم❤️🙏 چون در رونمایی هستیم فقط بصورت نقدی هستش❤️

❌15 نفر پایانی ظرفیت ❌ قیمت رونمایی هیچوقت دیگه تکرار نمیشه✌️

آقا بیاین یچیزیو بهتون بگو در بین این ثبت نامی ها و اتفاقات🤓

یه نکته ای هم این وسط باز کنم; نگید از سر نیاز بوده ... این کار اسمش دزدیه به هر کار زشت و اشتباهی احساسی برخورد نکنید که در نهایت یجوری طرف اشتباه کننده تایید بشه و فردی که اشتباهی نکرده گناهکار بشه

Transform my uploaded photograph into a highly realistic photograph of me as I might have looked in Iran during the era of Mohammad Reza Shah Pahlavi, specifically between approximately 1320 and 1357 in the Iranian calendar (1941–1979). IDENTITY PRESERVATION — HIGHEST PRIORITY: Keep my face, facial features, skin tone, face shape, facial proportions and overall identity clearly recognisable. Preserve the distinctive characteristics of the original person, including the natural shape of the eyes, eyebrows, nose, lips, jawline, cheekbones, forehead, facial proportions and overall facial structure. Do not unnecessarily alter my facial structure or make me look like a different person. Do not beautify, reshape, reconstruct or replace the face. Do not change the fundamental facial characteristics of the person. The transformation should primarily affect the clothing, hairstyle, grooming, environment, objects, lighting and photographic characteristics while preserving the person's original identity and recognisability. HISTORICAL PERIOD — MOHAMMAD REZA SHAH PAHLAVI ERA: Create an authentic Iranian visual appearance from the period of Mohammad Reza Shah Pahlavi, approximately 1320–1357 in the Iranian calendar (1941–1979). The image should reflect ordinary everyday life in Iran during the Pahlavi era, with particular attention to the visual character of the 1950s, 1960s and 1970s depending on the selected historical moment. Do not mix visual elements from the post-1979 Islamic Republic period with this historical setting. All major visual elements should belong naturally to the same historical period: clothing, hairstyles, makeup, head coverings, furniture, architecture, vehicles, household objects, technology, signage, advertisements, lighting and photographic rendering. The result should feel culturally and historically authentic, natural and lived-in rather than theatrical, stereotypical or overly staged. CLOTHING — PAHLAVI ERA: Dress the person in clothing

During the Mohammad Reza Shah era, Iranian women appeared both with uncovered hair and with various forms of traditional or fashionable head coverings depending on their family, social environment, profession, location and personal style. If a woman is shown without a head covering, allow natural visible hair styled according to the chosen period. If a head covering is appropriate, use a historically accurate Iranian rusari (روسری), scarf or other period-appropriate head covering. RUSARI — روسری: A rusari should look like a separate square or rectangular fabric scarf naturally placed over the head. Use realistic fabric weight, folds, patterns, floral prints, colors and styling appropriate to Iranian fashion of the period. It may be loosely placed around the head or naturally tied beneath the chin or around the neck, depending on the historical fashion and setting. Do not use contemporary hijab styles, modern scarf wrapping techniques, modern turban styles or present-day Islamic fashion. MAQNAEH — مقنعه: Do NOT use a modern or post-revolutionary institutional maqnaeh as the default women's head covering. A maqnaeh should only appear if there is a historically appropriate specific context where such a garment would realistically belong. Do not impose the post-1979 Iranian school/workplace maqnaeh style onto women in ordinary Pahlavi-era scenes. WOMEN'S HAIRSTYLE, MAKEUP AND GROOMING: Give female subjects authentic Iranian hairstyles and grooming appropriate to the selected decade. For the 1950s, use period-appropriate structured hairstyles, waves, curls and elegant feminine styling. For the 1960s, use fashionable Iranian hairstyles with natural volume, bouffant shapes, shorter cuts or carefully styled longer hair as appropriate. For the 1970s, use period-appropriate long hair, layered hairstyles, natural volume and other contemporary Iranian fashion influences of the era. Use makeup appropriate to the selected decade, including naturally shaped eyebro

- a garden party - a hotel - another believable everyday Iranian setting from the period The environment should feel genuinely lived-in and naturally photographed rather than constructed like a movie set. IRANIAN HOME INTERIOR — PAHLAVI ERA: When the setting is an Iranian home, use authentic furniture and interior design from the period. Depending on the selected decade, incorporate elements such as: large Persian carpets, fabric or velvet sofas, wooden furniture, wooden coffee tables, display cabinets, glass-front buffets, crystal and decorative dishes, heavy curtains, traditional curtain valances, brass or crystal chandeliers, patterned wallpaper, painted walls, ornamental mirrors, framed family photographs, decorative objects, period televisions, radio sets, record players, cassette players for later 1970s settings, landline telephones, period household appliances, and other believable domestic details. For wealthier urban interiors, subtle European and modernist influences of the Pahlavi period may appear alongside traditional Iranian elements. Do not make every interior excessively luxurious. The home should reflect the social class and setting of the original photograph. STREET, ARCHITECTURE AND URBAN ENVIRONMENT: If the photograph is set outdoors, recreate an authentic Iranian urban environment from the Pahlavi era. Use historically appropriate: Tehran streets, Iranian apartment buildings, older commercial buildings, traditional storefronts, modernist Pahlavi-era architecture, Persian signage, period advertisements, street lamps, sidewalks, public transportation, shops, cinemas, cafés and other elements appropriate to the selected decade. The architecture may show the mixture of traditional Iranian architecture and modern urban development that characterized Iran during the Pahlavi period. Do not use post-revolutionary Iranian architecture, signage or urban elements. VEHICLES — PAHLAVI ERA: If cars or other vehicles naturally appear in the sce

The license plates should naturally fit the vehicles, perspective, lighting and photographic quality of the scene. HISTORICAL OBJECTS AND TECHNOLOGY: Use only objects and technology that could plausibly have existed during the selected Pahlavi-era year. Possible objects include: period radios, record players, vinyl records, televisions, landline telephones, analog clocks, typewriters, period cameras, books, magazines, newspapers, period household appliances, film cameras, wooden furniture, crystal dishes, traditional Iranian decorations and other historically appropriate objects. For later 1970s scenes, cassette players and audio cassettes may appear when appropriate. Do not place objects from the post-1979 period into the scene. CULTURAL AUTHENTICITY: Communicate everyday Iranian life during the Mohammad Reza Shah era through subtle visual details. The scene should reflect the coexistence of Iranian traditional culture with the modernization and Western cultural influences present in urban Iran during the Pahlavi period. Avoid turning the scene into an exaggerated representation of "old Persia." Do not make the scene look folkloric, theatrical or stereotypical. The goal is an ordinary, believable Iranian photograph from the Pahlavi era. HIDDEN SIGNATURE — VERY SUBTLE: Secretly integrate the text "ccina.design" into the final image as a discreet personal signature. The exact text must be written correctly as: ccina.design The signature should be extremely subtle, small and unobtrusive, almost hidden within the composition. Place it naturally in an inconspicuous area of the image, such as a small corner, the edge of a photograph, a subtle printed detail, a tiny mark on an appropriate background element or another visually integrated location. It must NOT appear as a prominent watermark, logo, title, caption or large piece of text. Do not place it over the person's face. Do not place it prominently across the center of the image. Do not make it br