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Ein weiterer Test von Seedance 2.5, diesmal auf französisch und mit Prompt.
Source: x.com/patrickassale
Prompt:
A 30 second ultra realistic handheld POV video set in France at around 3 am, outside a busy bar and nightlife street. The camera is the point of view of a young woman filming one handed on an iPhone. We never see the phone itself at any point. The footage must feel like raw, authentic amateur nightlife footage with natural iPhone aesthetics.
It is very late. People are leaving bars, smoking outside, waiting for Ubers, talking too loudly, eating kebabs, laughing in tired, sloppy groups. The mood in the street is a mix of drunken energy and visible exhaustion. Faces look tired, makeup is slightly worn, outfits are a bit messy after a long night. The pavement is slightly wet and reflects neon signs, headlights, and warm bar lights. The air feels cold and heavy. The whole scene must feel intensely real, socially awkward, and uncomfortable.
The camera operator is a woman, and her friend is another young woman walking a few steps ahead of her, visibly angry. The camera follows her in a shaky, one-handed handheld way. The tension is already there from the first second. The argument is about the friend disappearing with a guy inside the bar and leaving the camera operator alone for nearly an hour, which made her miss the last train and feel abandoned. This is the core of the argument.
The friend suddenly turns around while still walking and says in natural French from France:
“Tu vas me suivre encore longtemps comme ça ?”
The woman behind the camera replies, irritated and hurt:
“Bah ouais, parce que tu m’as laissée toute seule comme une conne pendant une heure.”
The friend rolls her eyes, tired and defensive:
“Oh ça va, j’étais pas ‘avec un mec’, on parlait, c’est bon.”
The camera gets a little closer as the woman filming answers immediately:
“Mais arrête, tu m’as complètement lâchée. J’te cherchais partout.”
The friend stops walking and turns fully toward the camera now, angry but exhausted:
“J’allais pas te tenir la main toute la soirée non plus.”
A few people nearby start glancing at them. Someone exits a bar laughing, a smoker looks over, a taxi passes in the background. The world keeps moving around them, but the argument becomes the emotional center of the scene.
The woman filming replies, more intense now:
“C’est pas ça le problème, le problème c’est que t’as disparu sans rien dire. J’ai raté le dernier train à cause de toi.”
The friend laughs bitterly in disbelief:
“À cause de moi ? Sérieux ? T’es incapable de te débrouiller toute seule ?”
The camera jolts slightly from the emotional reaction. The breathing of the woman filming becomes more noticeable. Her voice gets sharper:
“Mais t’abuses en fait. Tu fais toujours ça. Tu penses qu’à toi.” ...
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